We can’t tell you how many times we have gotten that question when conducting user research sessions. We can’t wait to share all the details and show you some of the latest innovations in audio repair. We hope you will be excited about the new powerful tools in RX 10. And if you have been intimidated by audio editing in the past, RX will include a new first time user experience that will get you up and running quickly and editing like a pro in no time. That’s why we built new timesaving features that make it easier to navigate dialogue in RX and identify problem areas and speakers. In the 24-7 media world we live in today, deadlines are now tighter than ever, but the expectations of high quality audio have not changed. If there’s one overarching theme we hear from our users, it’s that time is money. We wanted to share some of the thoughts that went into the development of RX and the problems we are hoping to solve with the release of version 10. Whether you are editing a podcast, recording a full band, or working on a blockbuster movie, RX 10 will enable you to captivate audiences by bringing out the best in recorded audio. While there are so many other new features included, here’s a glimpse of the new RX 10 Repair Assistant, which (bonus!) will be available to use directly in your DAW.īuilt on decades of iZotope research, RX 10 is the most intuitive and intelligent version we’ve ever made. With version 10, we’ve added new features and functionality to address some of the most common repair problems that exist in today’s post projects, making it the definitive choice for audio post production. The tips and techniques listed here should go along way in helping you fix any audio problem as a relates to music production.Trusted by top post production engineers to quickly and reliably deliver clean audio. Have a listen to your before an after, and go from there. Then use Interpolate to remove any remaning clicks by creating an even finer selection over the troubled parts and processing them. Select a strength of 1.5, and a left and right interpolation direction, and see where this gets you. I’m going to use a combination of Spectral Repair and then Interpolate. First, highlight the affected area with the time selection tool. Now any changes you make with the modules have an effect in every channel. To solve this problem, first sum all the channels together so you can see everything in the same window and treat problems globally. A great example of a multichannel audio issue is bows hitting the strings a bit too hard, so that the sound reverberates across the rest of the microphones. RX 7 supports up to 7.1.2 multichannel files, so if you’re editing a live recording for a DVD or preparing a surround mix for CD, you can use all your favorite modules to treat multichannel recordings. With Music Rebalance, you don’t need the multitracks to solve those problems because we can shift and balance different elements of the mix like percussion, bass, and vocals right from the audio file. Lets say you need to remaster song for today’s market but you don’t have the multitracks to work with, and you’d like to bring up the vocals and turn down the percussion. This mode requires longer processing times than the other two modes. Advanced Joint Channel mode offers the highest quality separation results, especially when processing files of high sampling rates or when processing musical content that was not tuned to an A440 scale. Joint Channel mode offers higher quality separation results than Channel Independent mode, especially when processing stereo files with similar content on both channels (correlated signals, strong stereo image). When the second mode is selected, joint channel processing is applied to the input audio before determining mix element separation. The first of three algorithms offers the most efficient real-time preview performance and processing speeds when working with the Music Rebalance module in the RX Audio Editor. Going the other way means the opposite, fewer chances of artifacts, but more potential for bleed. The resulting signal will contain less audible “bleed” from the other mix elements at the cost of introducing artifacts and reduced vocal clarity. Negative values will instruct the separation algorithm to narrowly define what it considers to be vocal content in the input signal. The sensitivity meters in Music Rebalance determine how much of the input signal will be identified as voice by the separation algorithm. RX 7 also features Music Rebalance, a powerful tool that intelligently identifies vocals, bass, percussion, and other instruments in a mix and allows you to rebalance the gain of each.
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